چکیده:
سفال سامانی، یکی از بارزترین ویژگیهای تصویرسازی هنر ایرانی به شمار میآید. تداوم و تغییر در نقش و مفاهیم برآمده از آن، نشانگر دو جریان کاملا متفاوت در هنر نگارگری ایرانی است. جریانی که از یکسو استمرار بنمایههای هنر دوره ساسانی و فرهنگ سغدی را نشان میدهد و از سوییدیگر، نشانههای تاثیر فرهنگ و هنر اسلام را عرضه میکند. از آنجاییکه شواهد تصویرسازی ایرانی از قرون اولیه اسلامی اندک است، تصاویر خلق شده بر سفالینههای سامانی بخشی از پیشینه تصویرگری ایران بهشمار میآیند و میتواند خلاء مطالعاتی در این حوزه را تا حدی مرتفع سازد. پژوهش حاضر با استفاده از روش توصیفی- تحلیل تاریخی به گردآوری اطلاعات به شیوه اسنادی و مطالعات موزهای در قالب توصیف و طبقهبندی نمونههای شاخص سفالینههای سامانی در موزههای مهم دنیا نظم یافتهاست. در این پژوهش تلاششده به این پرسش اصلی پاسخ داده شود که شیوه بازنمایی تصاویر در سفالینههای سامانی به چه صورت بودهاست؟ و چه عواملی بر شیوه تصویرنگاری این سفالها موثر بودهاست؟ نتایج این پژوهش نشان میدهد که تصاویر سفالینههای سامانی با وجود قرارگیری در دامنه زمانی قرون سوم و چهارم هجری، در برخی موارد بازتاب مشخصههای سنت تصویرگری هنر دوران تاریخی (خصوصا ساسانی) و همچنین نقاشیهای سغدی است.
Samanid Earthenware, determine one of the most Iranian art painting in early Islamic period. Change and Continuity in these motivies show that there are two differnts proceedings in Iranian art painting. In otherwise, there are Sasanid impact anf Soghd Culture that influenced on the motives and so, interaction of Islam culture and art that it formed and developed in this case. So far Iranian painting is rare evidence in early Islamic period in Iran, created motivs can be demonstrate as history of Iranian painting and it can be resolve in researches gap, approximatly. Thus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? hus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture. Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture. hus, in this article attempted that pottery motivs Samanid studies as structure and concept and variable effective on the formation. Present research carry out by descriptive-analytic approach and documentary and meusum studies. In this paper tried that how were represent of samanids earthenware style? Whats of varieable impact on the miniature potteries? Result of this research show that motifs despite being created in the third and fourth centuries of Islamic period. They reflect in some cases the characteristic traditional art of ancient Iranian time and also show sogdian paintings. in addition to that it has to be pointed out that the artists during samanids area were selecting many of their designs based on their national beliefs from Iranian designs but they didn't copy them totally but they modified them according Islamic culture.